The Wordz Project

  
As marketing for next-generation encoding systems using the efficient H.264 codec heats up, claims are starting to be made — see Michael Grotticelli's recent story in HD Studio — about the distribution of live "HD video" over the Web. SHOULD YOU CARE? YES. Even Inlet Technologies admits, in the comments section following that HD Studio article, that current bandwidth and processing shortfalls on the client side limit "Internet HD" quality to 960x540 — still, that's a far more compelling experience than your typical YouTube video and the technology should be welcomed. One thing to keep in mind: consumers are still sorting out the difference between 720p, 1080i, and so called "Full HD" 1080p, not to mention new 120Hz screens and the different video and audio output options offered by Blu-ray Disc players. 3D home video is on the horizon, and Web delivery options are going to muddy the picture further. As potential applications for high-res video expand, and "HD" is used as a buzzword to market incremental quality improvements in video delivery, the term will inevitably lose any clear meaning.

Speed Racer trailerMovie trailer: The Spirit
Movie Trailer: The Spirit

Not exactly what the fan crowd was expecting, the trailer for The Spirit — a Will Eisner adaptation written and directed by Sin City and 300 creator Frank Miller — comes on as part comic-book film, part video-game cut scene, part Cinemax late-nite B-movie. Is the film really going to be "the final word in strange?" More info: www.mycityscreams.com

 
 
Damon Live Action

Director Tim Damon is
All About the Automobiles

Damon has amassed a collection of proprietary gear that's meant to ensure he never has to tell a client, "We can't do that."
Renée Zelwegger in Chicago

Getting Creative in the Mix

F&V asked top sound mixers to talk about the most creative contributions they’ve made to features — including the Oscar-winning Chicago and Crash.
Pineapple Express

Director David Gordon Green
on Pineapple Express

Pineapple Express marks David Gordon Green’s entry into the world of studio productions, following four acclaimed indies.
I Know My Kid's a Star

Solid Design for VH1's
I Know My Kid's a Star

Design firm Solid approached the show opener for a recent VH1 reality series by building a rickety funhouse ride, full of pitfalls, representing the shaky road to fame.
The Dark Knight

Delivering 8K VFX Shots
for The Dark Knight

Creating seamless digital effects for director Chris Nolan is always a tall order, but doing so in IMAX was an added attraction.
 
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What kind of animated feature can ONE WOMAN make given THREE YEARS and A COPY OF FLASH? What happens when you let VFX ARTISTS DESIGN THE SHOT? And what's the WORLD'S SMALLEST 3D CAMERA RIG look like, anyway?



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Damon Live Action
"My focus is the car. To me, the car is the painting and everything else around it is the frame."
— Tim Damon, director, Damon Live Action


Sony PlayStation: Senior Environment Artist Sony Computer Entertainment America
Production Assistant Nielsen IAG
Producer (animation/graphics) MAKE
Video Instructional Designer - Mathematics (4005) Compass Learning
Video Instructional Designer - Science (4003) Compass Learning
Audio Visual Production Specialist Social Security Administration: Social Security Administration
Instructors Needed for Media Arts and Animation The Art Institute of California-San Diego
Video Production Internship New York Islanders


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